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Adapting a doll dress pattern

Now that I’ve got my doll dress muslin done, I can use the pieces from my own, custom dress and add elements from other patterns, adjusting them to fit, according to my dress muslin. You can see in the photo above, that I’ve taken the pieces from my dress muslin, and traced them to make pattern pieces on paper. Once I have my own basic pattern pieces in the right sizes and shapes, I can take pattern pieces for additional elements, like sleeves, vests, and aprons, such as those from commercial patterns, and adapt them to fit my own pattern pieces. This is something you can do with clothing patterns for people as well.

In this case, I’m using my own bodice and skirt pattern pieces, and I am adding sleeves, a vest, and an apron from an adorable Brown House Doll pattern. Be sure to check out Bev Brown’s designs if you like to sew clothing for dolls. They are super. I adapted my bodice and skirt from doll dresses Max came up with before.

Here, I’ve redrafted the BHD pieces to fit my dress. I do this by tracing the elements I want to adapt, and laying the tracings over my pattern pieces. Then I can redraw the lines to fit my pattern pieces. The top of the sleeve needed to be redrawn to fit the armhole of my pattern. The vest had to be completely redrawn according to the lines I marked on my bodice for my neckline, armholes, and waistline. The apron should work as it is, but I will be adding a row of machine-embroidered fabric on the lower edge, which means I may need to widen the sides of the apron to compensate for the amount I will need to turn under on the raw edges.

Making another muslin at this point is not a bad idea, but, instead I will leave my seam allowances a little wide, in case I need to adjust them. I made some changes to my bodice that I haven’t retested. Next comes fabric selection.

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Original folk art cat doll in progress, the dress muslin

Here are some photos of the muslin of the doll dress I was working on, completed. It is entirely hand sewn using cotton quilting thread to make a basting stitch.

I draw any adjustments in fit and length that I want to make directly onto my dress muslin with a mechanical pencil. Before I assembled the dress muslin, I traced the original version of my pattern right onto my fabric using a permanent black marker. Generally, I use a pencil to mark my dress muslin while my doll is wearing it to make sure I don’t mark the doll.

There are some minor adjustments to make. There was a small pucker in the bodice at the underarm. I will deepen the bottom of the armhole to compensate for this. I also added a quarter inch to the length of the skirt, and widened the back of the bodice slightly.

I used a single strand of thread for my stitching because it is easier to pull out, which is the next step. The muslin is next carefully disassembled using a seam ripper. Then I trace each piece, refine each one on paper, and make a final draft of my pattern. I haven’t pressed the dress muslin at all, to minimize any distortion of the fabric pieces.

Incidentally, although the rough draft of a dress is called a muslin, I don’t use actual muslin fabric to make my dress muslin. I used cotton sheeting on this one. The important thing is to use a fabric similar in weight and drape to the fabric you will use for your real dress.

We’ll be adding these new collaborative dolls to our online doll gallery once they are completed and photographed. I’m brainstorming on my navigation ideas for that main doll gallery page. There are so many original art dolls now, they’re divided into four subcategories, jointed cloth and paperclay art dolls, art doll figurines, soft art dolls and art toys, and already adopted dolls. Be sure to come check them out.

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Original art cat dolls in progress, and making progress in general

Original cat art dolls in progress, Elizabeth Ruffing, Max Bailey
These are the original cat art dolls that Max Bailey and I have been working on. The one on the left will be a Siamese cat, and the one on the right is a tabby cat. The tabby is very cute, but I don’t want to give too much away before her entire ensemble is complete. I am sewing her a dress based on Shirley Temple’s dress in her 1937 film “Heidi”. She has a beautiful pet goose companion as well.


Shirley Temple as Heidi in the 1937 filmI have so many little loose ends that I’m trying to tie up, and that includes making my way through the pile of books I intended to read. I’m still working on E. M. Forster. I’m reading A Passage to India right now.

A Passage To India movie stillI think that might be the only one of his novels I’ve read that hasn’t been turned into a movie starring Helena Bonham-Carter.

A Room with a View movie stillOther E. M. Forster novels I’ve recently read are Where Angels Fear to Tread, A Room with a View (scene from the movie above), and Howard’s End.

I’m sure none of these will compare to CSS: The Missing Manual, which I ordered today. That’s by Brian McFarland. It promises to be “crystal clear”. If I still can’t efficiently absorb CSS after that, I think I’m just going to live without it, knock on wood.

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A gaggle of slugs

I’m on a finish-what-I-started mission, at least when I can fit it in. The way I jump from one project to the next, that could take years to accomplish, but I’m trying to make more of a focused effort. These little slugs have been waiting for their embroidered parts for a long time.

This group is made of baby blue polar fleece, which is soft and cuddly. Their fuzzy hearts are each different shades of pink and red.

I gave them all French names. Why? I don’t know. Does it give them an air of sophistication?

I almost named them after The Brady Bunch after arranging them in these composite photos, but then I couldn’t think of enough Brady Bunch names. I didn’t really relate to that show as a kid, but then I was an only child. They seemed pretty strange to me.

I positioned their pupils so that they would be looking this way and that. I find the upward-glancing ones particularly amusing. They are either rolling their eyes, or praying for assistance. I’m not sure which. Both maybe.

The others seem very curious about everything. This group is a pear green color. They are also French.

I modified their hang tags to say they may be spot cleaned with cool water. Poly fleece seems to do better with cool water. They can be set to air dry if necessary. I prewashed and air dried the fleece I used to make them. They should not go in the dryer! Yikes! They would be scared, but that is also bad for fleece. It melts with heat.

I am listing my available soft dolls and art toys here on our Ruffing’s site. I’ll be listing fleece “Hug Me! Slugs” in my Etsy shop as well, with some options for naming your own slug too.

We are still putting together our first original folk art cat doll collaboration too. I don’t want to give away any surprises though. Time to go catch up on some more stuff…