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Art Nouveau-inspired Floral Prints

Here is a whole garden of iris, and some white roses. I adore iris and have a big bed of them out my back door, in a huge variety of colors. I also love Art Nouveau and William Morris’ designs. With these paintings, I was exploring doing my own repeat patterns in that vein.

These are all available as mini giclée prints in my Etsy shop or on our Ruffing’s website, all on 8.5 x 11 inch archival-quality, 100% cotton, 300 gsm weight fine art paper. They are printed with archival-quality, Epson UltraChrome pigment-based ink for longevity. Each print is signed below the image in pencil.

Yellow and White Iris on Blue

They are currently $22.00 plus postage, and they can be ordered through Etsy, through our website, or by emailing us at Ruffing’s. Some are also available in print sets of two or three giclées. They can be found by clicking on the highlighted titles beneath these photos, and scrolling down the individual print web pages. Please visit!

Valentine

Tan and Purple Iris on Green

Lavender Iris on Green

Innocence

Music Box

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Spot

As I have said already, I have been fighting an infection and fatigue for some time now, and at the beginning of last week, I was quite exhausted. I had orders to fill, and did the best I could to get them together, packed safely and shipped out in a timely manner. Unfortunately, I received an email from a customer saying the doll I had sent her had a spot on it. I had seen what I thought was a brushstroke of blue on the back of the head that didn’t blend in well, and I had debated over whether it was disturbing. I decided it was not, but I felt very bad that it obviously was to my customer. I had been more concerned about packing the doll so she would be safe, and padding her skirt so it wouldn’t get wrinkled. It was just one detail of many and I felt I must have underestimated the importance of it.

I apologized and I offered to repaint the spot. I then looked at the photo I had previously taken of the doll to see what needed to be done. There was no spot on the photo I had taken after painting the doll, which indicated to me it was not paint. My mom did some investigating and found the bag the doll had been stored in had some blue print on it that, in all likelihood, had transferred to the doll. It was soluble with soap and water, which I thought was good news, since the spot should come right off. My customer had said she wanted the doll for a gift, if only it had not been for the spot. I told her it might come off and asked her, if she would not mind, to please try washing the spot off, and told her either way, I would still be happy to repaint it. I meant only to save her the inconvenience of returning the doll, but she became angry and told me the doll was coming back to me the next day. She didn’t want a repaint, and she didn’t want to clean the spot off. I apologized again and told her I would refund her money as soon as I received the doll, thinking for some reason she just decided she didn’t want the doll, regardless of the spot.

I was feeling terrible about the whole thing, thinking I must have really missed how disturbing the spot was because I was tired and not feeling well. I am normally very particular and detail-oriented, but I felt I must have slipped. The doll arrived back, and I saw the spot, 1/8 of an inch across, not solid, but a spotty blue-gray color. There was a note complaining about the postage too, saying I overcharged her. The postage included handling: the cost of the packing materials, tissue, bubble wrap, packing peanuts, but I didn’t bother explaining. I just refunded her money and her postage, both to and from.

I had sent the doll carefully wrapped in bubble wrap, with two thick layers over the head, and tissue to pad out the inside of the skirt.

The doll came back to me with the head wrapped in a diaper and some crumpled tissue, and the bubble wrap taped carelessly around the whole.

The handmade hang tag was bent in half, but the worst thing, and the thing I didn’t think initially to check…

was that her neck was cracked from ear to ear at the chin and some of the neck area was chipped as well. I don’t know if this was done before or after she asked me for a refund, but it made sense to us now why she didn’t want to send it to me for the spot to be repaired, and she certainly didn’t want to wipe the spot off. She had just wanted me to agree to the refund.
I wiped the spot right off with a sponge, but the neck damage will require re-sculpting and then repainting. I can do that, but it is hours of work. I don’t really make a profit on my dolls, considering the time it takes to make each one, often two weeks. I put them on our sites as a fun addition to our other artwork, to gain some web traffic, and because people seem to enjoy them. It has been a pleasant experience to share them so far. I can fix the damage. That doesn’t bother me nearly as much as the meanness. I am generally understanding, and I try very hard to do the right thing. It genuinely bothers me if I do something that ends up upsetting someone else. I do the best I can with everything I do, and most people appreciate that. I try to be fair even when others are not, and I try to be considerate even when others are not. There is no excuse for damaging my work. Even if the customer had accidentally cracked the doll, I’m sure I would have offered to work out an arrangement for repairing it for her.
Most people have been lovely and appreciative of the dolls they have received from us, and that is wonderful. I wish everyone could understand how much time and effort goes into each one. They are all handmade from start to finish. Our folk art dolls are not meant to be toys, or to mimic factory-made dolls. They are works of art, and they are meant to be treated as any other work of art, displayed and used for decoration, and treated with care. I have recently branched out into making some dolls that can be played with, and they are described this way. I wish I could carefully adopt each doll out to a loving home. I have never been a fan of selling original art, not just my own, but, and even more so, my studio-mates’ as well. Anyone who makes art will know how personal it is. It is not just “stuff” or merchandise, and really, no amount of money would make me want anyone who thinks of it that way to have it.
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Support Independent Artists and Craftspeople

I Took The Handmade Pledge! BuyHandmade.org

I had a lovely dream last night. I was in the company of a bunch of very nice men and women who all liked art and crafts and making things with their own hands. We had gathered in one of those old buildings with the high ceilings and the leaded windows. It reminded me of college. Everyone was talking about things they were making, or things others were making. They were sharing books about dollmaking and beading fabric, and they were talking about dance and galleries and museums they enjoyed. I felt like I had found a niche for the first time in my life.

It came up that my birthday was a month away, and some of them surprised me with presents that they had made themselves, and other handmade items, and pieces of fabric they thought I might enjoy, all personal gifts that I really, genuinely liked. I was so touched by the whole experience, I felt like crying. When it was time for me to leave, I stopped to leave a message for them, which I wrote in chalk around the hem of a vintage dress made of a beautifully patterned fabric. My ride arrived, a pleasant smiling lady in an old minivan. I waved for her to just wait a minute so I could write one more thing, “Thank you.” Then I woke up.

It, of course, struck me immediately that nothing like any of this has ever happened to me, and that I wished it would. Then I thought about it for a while and realized that although this place might not exist in the physical world, it does exist, in a way, on the Internet. There are thousands of independent artists and craftspeople out there, and I read many of their blogs every day. They share what they are making, what others are making, books and materials they enjoy, places they like visiting, and their joys and frustrations. It is hard to be an artist, hard to persevere in what is usually a somewhat isolated work environment, and it is a great comfort to have that connection with other people who are sharing your experience, even if you don’t personally know them.

These people are also worthy of your support, especially in this time when there is such a concentration on conspicuous consumption and cheaply-made, mass-produced wares. Consider buying handmade, directly from artists and craftspeople. Consider supporting Mom and Pop businesses, and farmers’ markets. Consider buying directly from the source.

And one more thing, before I go…To all the people who put their hearts and souls into what they do, and to those who take the time to share that…Thank you.

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New Original Folk Art Doll Greeting Cards by Max Bailey

We’ve made up a few sets of handmade greeting cards featuring images of our one-of-a-kind art dolls. The images are printed on archival-quality art paper and glued, using acid-free glue, to acid-free ivory-colored cards, that are blank inside. They are printed with archival-quality pigment-based ink, and so they are suitable for saving and framing.

The cards are 5 by 6 1/2 inches and they come with matching ivory envelopes. Each card is individually bagged for protection. They make a nice gift for cat lovers and for art doll lovers.