Category: Me and My Studio

Me and where I paint, and sew, and create things

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Stranded

I’ve been hitting some snags with the new doll pattern I’ve been designing, but I’ve had plenty of time to sort them out. My car overheated for the second time in a month or so, and I’ve been stranded here for days. On a positive note, it overheated around the corner from the place that usually tows it for me. I drove at a crawl to the nearest parking lot, not even sure where I was on the back roads, and that lot just happened to be the towing place. Pretty lucky. It turns out I’ve had a hole in my radiator that went unnoticed the last time. So, I am even more fortunate that I didn’t get stranded while coming home at night along one of those new and very convenient, but very much unpopulated, stretches of highway here in the past of couple weeks when it’s been 106 degrees to boot.

I’ve been lucky so far with the car problems. The only flat tire I’ve ever had happened this summer too…right across from a car dealership, with an attached tire repair shop. And then there were The Pliers From Heaven a couple of months ago. I was driving under an overpass on my way to coffee, and heard something very loud hit the car. My first thought was that someone had thrown a rock off the overpass, but I didn’t see anyone in my rear view mirror. I didn’t see any dents when I got out of the car either. Later, after coming out of the coffee shop, I saw my windshield wiper looked rusty. On closer inspection, I saw that wasn’t my wiper at all, but a pair of heavy pliers.

They are about a foot long, and they had landed maybe one inch below my windshield, on the driver’s side. I think they must have been stopped by the grate below the wipers because they didn’t even move. The ends curl downward, and they must have dipped into the grate. Not a scratch anywhere. And they didn’t kill me, which is the best part of all.

I reached for the nearest thing to place the pliers on so the rust wouldn’t get on anything. When I got home, I realized it was an old church program with the hymn “Blest Are They” on it.

Say what you will about Princess Maertha Louise, but you’ve got to wonder.

I also went back to blond.

A little sad.

Not so sad.

No, not sad, not really. Unless we look at these in reverse.

But it’s better this way, I think.

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Weekend quilting

Over the past couple weekends, I’ve been catching up a little with my quilt projects. Above is my progress so far on my (mostly) blue and yellow quilt. I’m assembling it as I go it won’t get out of control.

This is the latest block that I did for this weekend’s class.

These two blocks are from Lori’s class. I’ve got three more blocks to catch up with on that quilt. We are now at the putting it all together stage, or some of us are 🙂

I was also repotting my African violets and saw their bowls and pots made an interesting color combination that I might want to use for a kids’ quilt design I’m working on. I’ve wanted to put a free pattern, or set of patterns, on my site, for charity quilts. I’ve been looking at the Project Linus sites in particular, working out the preferred sizes and materials. I have my drawings done, but I haven’t made up my prototypes yet. I also need to figure how to make up the PDF files and put them on the site.

My experiments with color these past couple weeks expanded to my hair color as well. I’m seeing what life is like as a redhead now. I’ve been blond all my life, except for a brief period after birth when my hair was black, oddly. But since it fell out and the blond grew in, I’ve been blond. I’ve only been out and about a couple times since the change, but I have noticed that women I have never met before seem to feel quite comfortable walking right up to me and asking me for advice, so far on such things as calcium supplements and the age-appropriateness of certain articles of clothing. I’m wondering if I suddenly look more knowledgeable. It’s a little startling, but kind of nice.

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Me, and a floral and batik art quilt project

Iris and Pansy art quilts in progress, with batik fabrics, by Elizabeth Ruffing

This me, Elizabeth, in my favorite straw sun hat. I wear it when we go out walking. I have other straw hats that I use for gardening or for working in the yard. I love flowers and I’m making two floral art quilts, incorporating my love of gardening, painting, and sewing. One is based on a watercolor painting I did of an iris flower.

I brought many of my iris plants with me, when we moved from New York state to North Carolina. I kept them in containers on the balcony of our apartment, and then planted them behind our new house. Many of them are my grandma’s irises.

I painted one pink iris on an Art Nouveau inspired wallpaper background, which I designed.

I printed this image on canvas that was made for use in our Epson printer. I sealed it with Liquitex matte varnish, because I am going to use this art quilt as a wall hanging.

The second image I am using is printed from my watercolor painting of pansies. It has a light blue border, with decorative flowers.

Pansies are so adorable and cheerful.

The come in such pretty colors, just like batik fabrics, which I am using to frame my canvas prints. I’m using an assortment of cotton batiks, which blend together nicely for quilts.

This is the pile of cotton batik fabrics, waiting to be pre-washed, before I sew them into a quilt. I sewed a zig-zag stitch along the raw edges, to keep them from fraying in the washing machine. I like to wash my fabrics before I use them, to compensate for shrinkage, and because I find the smell of fabric sizing irritating.

I love fabric. I get excited about anything that is displayed in those rainbow, full-spectrum arrangements in the store. I lose track of time on the paint aisle of an art store, or a in a quilt shop, with the fabric bolts, lined up by color. I’m captivated by colorful things.

I’m using the batiks in strips around my canvas prints, like a mat and a frame, only made of fabric. Once sewn together, I am putting cotton batting behind them, and then a cotton fabric as a backing.
I drop the feed dogs on my sewing machine, so I can free-motion quilt the layers together, randomly winding around, to make a stippling effect.
Once the layers are sewn together, I am adding a sleeve to the back of each quilt. I finish the edges of the sleeves, fold them in half lengthwise, and the attach them to the top edge of each quilt, on the backs of the quilts. I hand stitch the lower edge of each sleeve to the back of the quilt. Then I add binding to the edges of the quilts, avoiding the openings of the sleeves.
I am taking a wooden dowel, cutting it to the lengths I want for each quilt, and gluing wooden balls to each end, to make a display rod for each quilt. The wooden balls come in a package at Michael’s or another craft store, and they have holes drilled in one side, big enough to insert the end of a dowel. Just be sure to get the right size dowel for the hole.
I am using coordinating acrylic paints, and a sponge to paint the rods to match my quilts. I varnish them, and when they were dry, I insert them in the sleeves. I tie a ribbon to each display rod, to hang them up.
The finished floral art quilts can be seen in more detail in this post: https://ruffings.com/2007/02/ooak-one-of-a-kind-original-iris-and-pansy-floral-art-quilts.html